The Big Pre-Oscar Snub
Who got snubbed? Thatās the question asked every year when the Oscar nominees are announced. Critics opine about the performances not recognized? And gossips wonder if those snubbed had meltdowns like the one comedic genius Catherine OāHaraās character Marilyn Hack has in the brilliant satiric movie For Your Consideration (OāHara, by the way, was snubbed for that performance. Sad!).
Well, itās not Oscar season but we already have one of the biggest snubs of the year.

Itās pioneering Modernist landscape architect Dan Kiley in the recent motion picture Columbus.
The movie, which takes place in Columbus, Indiana, a mecca for mid-century Modernism, features many scenes in the landscapes of key Modernist sites, and we learn from the movieās characters that Eero Saarinen is the architect at each site: the Miller House and Garden (1955); North Christian Church (1964); and, Cummins Inc. Irwin Office Building (1954, originally Irwin Union Bank and Trust). Architects for other sites, including First Christian Church (1942) by Eliel Saarinen, Columbus Regional Hospital Mental Health Center (1972) by James Polshek, and Irwin Union Bankās Creekview Branch by Deborah Berke (2007), are also acknowledged.

However, landscape architect Dan Kiley is never once credited, though his landscapes are frequently the movieās pivotal āsupporting actorsā along with the buildings for which they were seamlessly designed. Indeed, the filmās advertising includes a still image of male lead John Cho looking out onto the Miller Garden (a key dramatic moment in the film).

And, one scene shows the Miller Gardenās widely acclaimed and influential allĆ©e, where we learn that a barely visible empty plinth once held a Henry Moore sculpture that was sold at auction at Christieās. Weāre told about a sculpture we canāt see and get some ersatz product placement for Christieās, but nothing about Kiley-designed landscape that's on screen.
Why does this matter?

Kiley is one of the nationās most important Post War landscape architects and his influence is monumental. All three of the Kiley projects cited above, along with several other Modernist sites in Columbus, are (NHL), an elite designation. While there are some 2,500 NHLs, only about 75 have significance in ālandscape architectureā ā in fact, Kiley ranks just behind Frederick Law Olmsted, Sr., the father of landscape architecture, for the shear number of NHLs.
Kiley designed more than 30 landscapes in Columbus, more projects than any architect. Nationally, his significant commissions include the Art Institute of Chicago, South Garden (1962), Jefferson National Expansion Expansion Memorial, St. Louis, MO (1947, with Eero Saarinen), the John F. Kennedy Library, Boston, MA (1978, with I.M. Pei), the Donald J. Hall Sculpture Garden at the Nelson-Atkins Museum of Art, Kansas City, MO (1988), and many others.

The Miller House and Garden, now owned by the , is acknowledged as one of the greatest Modernist collaborations. This thirteen-acre property was developed between 1953 and 1957 as a unified design through the close teamwork of Kiley, architects Eero Saarinen and Kevin Roche, interior designer Alexander Girard (who is acknowledged in the film), and clients J. Irwin and Xenia Miller. According to the : āThe Miller Garden and āits status as an icon of Modernism in American landscape architectureā are the result of a fusion of ideas that cross boundaries between architecture and landscape.ā

So how did Columbus become a Modernist mecca? Itās due to J. Irwin Miller. Starting in the late 1950s Miller, through his foundation, paid the design fees for new buildings (generally about 10% of a projectās total cost) provided the architect selected was one on his pre-approved list.
In a recent videotaped interview with landscape architect Joe Karr, who worked with Kiley from 1963 to 1969 on important projects including the Oakland Museum of Art in California and the Ford Foundation Atrium in New York City, it was revealed that while there were a great number of A-List architects on Millerās pre-approved list there was only one A-List landscape architect: Dan Kiley.
Nevertheless, Kileyās integral contribution is not only absent from the movie, but from recent coverage about Columbus, the placeĢżand the movie, in the New York Times ā āā ā the Washington Post ā āā ā and others, too.Ģż Also snubbed in the film is landscape architect Michael Van Valkenburgh, designer of Mill Race Park (1992), which is featured in several key scenes.
To learn more about Kiley, visit the , which is currently hosting a traveling photographic exhibition The Landscape Architecture Legacy of Dan Kiley that features 45 newly commissioned photographs of 27 of Kileyās more than 1,000 designs (it was organized by ¹ū¶³“«Ć½ of which I am president). ĢżIn a 2015 review, critic Julie Iovine wrote that the exhibition, āshows how modern landscapes often make a better case for modernism than the architecture itself.
To be generous, the filmās female lead Haley Lu Richardson does make an observation that could explain the omission of Kiley: āWhen you grow up around something, it feels like nothing.ā
This article originally appeared on theĢżon August 23, 2017.